“I HAVE spoken to you of Pompeii,” said the Moon; “that corpse¹ of a city, exposed in the view of living towns: I know another sight still more strange, and this is not the corpse, but the spectre of a city. Whenever the jetty fountains splash into the marble basins, they seem to me to be telling the story of the floating city. Yes, the spouting² water may tell of her, the waves of the sea may sing of her fame! On the surface of the ocean a mist often rests, and that is her widow’s veil. The bridegroom of the sea is dead, his palace and his city are his mausoleum! Dost thou know this city? She has never heard the rolling of wheels or the hoof-tread of horses in her streets, through which the fish swim, while the black gondola³ glides⁴ spectrally⁵ over the green water. I will show you the place,” continued the Moon, “the largest square in it, and you will fancy yourself transported into the city of a fairy tale. The grass grows rank among the broad flagstones, and in the morning twilight⁷ thousands of tame pigeons flutter around the solitary⁸ lofty tower. On three sides you find yourself surrounded by cloistered⁹ walks. In these the silent Turk sits smoking his long pipe, the handsome Greek leans against the pillar and gazes at the upraised trophies¹⁰ and lofty masts, memorials of power that is gone. The flags hang down like mourning scarves. A girl rests there: she has put down her heavy pails filled with water, the yoke¹¹ with which she has carried them rests on one of her shoulders, and she leans against the mast of victory. That is not a fairy palace you see before you yonder, but a church: the gilded¹² domes¹³ and shining orbs¹⁴ flash back my beams; the glorious bronze horses up yonder have made journeys, like the bronze horse in the fairy tale: they have come hither, and gone hence, and have returned again. Do you notice the variegated¹⁵ splendour of the walls and windows? It looks as if Genius had followed the caprices of a child, in the adornment¹⁶ of these singular temples. Do you see the winged lion on the pillar? The gold glitters still, but his wings are tied—the lion is dead, for the king of the sea is dead; the great halls stand desolate¹⁷, and where gorgeous paintings hung of yore, the naked wall now peers through. The lazzarone sleeps under the arcade¹⁸, whose pavement in old times was to be trodden only by the feet of high nobility. From the deep wells, and perhaps from the prisons by the Bridge of Sighs, rise the accents of woe¹⁹, as at the time when the tambourine²⁰ was heard in the gay gondolas²¹, and the golden ring was cast from the Bucentaur to Adria, the queen of the seas. Adria! shroud²² thyself in mists; let the veil of thy widowhood shroud thy form, and clothe in the weeds of woe the mausoleum of thy bridegroom—the marble, spectral⁶ Venice.”