THE stage is more beholding1 to love, than the life of man. For as to the stage, love is ever matter of comedies, and now and then of tragedies; but in life it doth much mischief2; sometimes like a siren, sometimes like a fury. You may observe, that amongst all the great and worthy3 persons (whereof the memory remaineth, either ancient or recent) there is not one, that hath been transported to the mad degree of love: which shows that great spirits, and great business, do keep out this weak passion. You must except, nevertheless, Marcus Antonius, the half partner of the empire of Rome, and Appius Claudius, the decemvir and lawgiver; whereof the former was indeed a voluptuous4 man, and inordinate5; but the latter was an austere6 and wise man: and therefore it seems (though rarely) that love can find entrance, not only into an open heart, but also into a heart well fortified8, if watch be not well kept. It is a poor saying of Epicurus, Satis magnum alter alteri theatrum sumus; as if man, made for the contemplation of heaven, and all noble objects, should do nothing but kneel be- fore7 a little idol9, and make himself a subject, though not of the mouth (as beasts are), yet of the eye; which was given him for higher purposes.
It is a strange thing, to note the excess of this passion, and how it braves the nature, and value of things, by this; that the speaking in a perpetual hyperbole, is comely10 in nothing but in love. Neither is it merely in the phrase; for whereas it hath been well said, that the arch-flatterer, with whom all the petty flatterers have intelligence, is a man's self; certainly the lover is more. For there was never proud man thought so absurdly well of him self, as the lover doth of the person loved; and therefore it was well said, That it is impossible to love, and to be wise. Neither doth this weakness appear to others only, and not to the party loved; but to the loved most of all, except the love be reciproque. For it is a true rule, that love is ever rewarded, either with the reciproque, or with an inward and secret contempt.
舞台上的爱情比生活中的爱情要美好得多。因为在舞台上,爱情只是喜剧和悲剧的素材。而在人生中,爱情却常常招来不幸。它有时像那位诱惑人的魔女,有时又像 那位复仇的女神。你可以看到,一切真正伟大的人物(无论是古人、今人,只要是其英名永铭于人类记忆中的),“没有一个是因爱情而发狂的人:因为伟大的事业 抑制了这种软弱的感憎。只有罗马的安东尼和克劳底亚是例外。前者本性就好色荒淫,然而后者却是严肃多谋的人。所以爱情不仅会占领开旷坦阔的胸怀,有时也能 闯入壁垒森严的心灵--假如守御不严的话。 埃皮克拉斯曾说过一句笑话:“人生不过是一座大戏台。”似乎本应努力追求高尚事业的人类,却只应像玩偶奴隶般地逢场作戏似的。虽然爱情的奴隶并不同于那班 只顾吃喝的禽兽,但毕竟也只是眼目色相的奴隶--而上帝赐人以眼睛本来是更高尚的用途的。
过度的爱情追求,必然会降低人本身的价值。例如,只有在爱情中,才永远需要那种浮夸诌媚的词令。而在其他场合,同样的词令只能招人耻笑。古人有一句名言: “最大的奉承,人总是留给自己的”。--只有对情人的奉承要算例外。因为甚至最骄傲的人,也甘愿在情人面前自轻自贱。所以古人说得好:“就是神在爱情中也 难保持聪明。”情人的这种弱点不仅在外人眼中是明显的,就是在被追求者的眼中也会很明显——除非她(他)也在追求他(她)。所以,爱情的代价就是如此,不 能得到回爱,就会得到一种深藏于心的轻蔑,这是一条永真的定律。
By how much the more, men ought to beware of this passion, which loseth not only other things, but itself! As for the other losses, the poet's relation doth well figure them: that he that preferred Helena, quitted the gifts of Juno and Pallas.
For whosoever esteemeth too much of amorous11 affection, quitteth both riches and wisdom. This passion hath his floods, in very times of weakness; which are great prosperity, and great adversity; though this latter hath been less observed: both which times kindle12 love, and make it more fervent13, and therefore show it to be the child of folly14. They do best, who if they cannot but admit love, yet make it keep quarters; and sever15 it wholly from their serious affairs, and actions, of life; for if it check once with business, it troubleth men's fortunes, and maketh men, that they can noways be true to their own ends. I know not how, but martial16 men are given to love: I think, it is but as they are given to wine; for perils17 commonly ask to be paid in pleasures. There is in man's nature, a secret inclination18 and motion, towards love of others, which if it be not spent upon some one or a few, doth naturally spread itself towards many, and maketh men become humane19 and charitable; as it is seen sometime in friars.
Nuptial20 love maketh mankind; friendly love perfecteth it; but wanton love corrupteth, and embaseth it.
由此可见,人们应当十分警惕这种感情。因为它不但会使人丧失其他,而且可以使人丧失自己本身。至于其他方面的损失,古诗人早已告诉我们,那追求海伦的人,是放弃了财富和智慧的。
当人心最软弱的时候,爱情最容易入侵,那就是当人得意春风,忘乎所以和处境窘困孤独凄零的时候,虽然后者未必能得到爱情。人在这样的时候最急于跳入 爱情的火焰中,由此可见,“爱情”实在是“愚蠢”的儿子。但有一些人,即使心中有了爱,仍能约束它,使它不妨碍重大的事业。因为爱情一旦干扰情绪,就会阻 碍人坚定地奔向既定的目标。 我不懂是什么缘故,使许多军人更容易陷入爱情,也许这正像他们嗜爱饮酒一样,是因为危险的生活更需要欢乐的补偿。人心中可能普遍具有一种博爱的倾向,若不 集中于某个专一的对象身上:就必然会施之于更广泛的大众,使他成为仁善的人,例如像有的僧侣那样。
夫妻的爱,使人类繁衍。朋友的爱,给人以帮助。但那种荒淫纵欲的爱,却只会使人堕落毁灭啊!
1 beholding [bɪˈhəʊldɪŋ] 第10级 | |
v.看,注视( behold的现在分词 );瞧;看呀;(叙述中用于引出某人意外的出现)哎哟 | |
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2 mischief [ˈmɪstʃɪf] 第7级 | |
n.损害,伤害,危害;恶作剧,捣蛋,胡闹 | |
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3 worthy [ˈwɜ:ði] 第7级 | |
adj.(of)值得的,配得上的;有价值的 | |
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4 voluptuous [vəˈlʌptʃuəs] 第11级 | |
adj.肉欲的,骄奢淫逸的 | |
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5 inordinate [ɪnˈɔ:dɪnət] 第10级 | |
adj.无节制的;过度的 | |
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6 austere [ɒˈstɪə(r)] 第9级 | |
adj.艰苦的;朴素的,朴实无华的;严峻的 | |
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7 fore [fɔ:(r)] 第7级 | |
adv.在前面;adj.先前的;在前部的;n.前部 | |
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8 fortified ['fɔ:tɪfaɪd] 第9级 | |
adj. 加强的 | |
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9 idol [ˈaɪdl] 第8级 | |
n.偶像,红人,宠儿 | |
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10 comely [ˈkʌmli] 第11级 | |
adj.漂亮的,合宜的 | |
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11 amorous [ˈæmərəs] 第12级 | |
adj.多情的;有关爱情的 | |
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12 kindle [ˈkɪndl] 第9级 | |
vt.点燃,着火;vi.发亮;着火;激动起来 | |
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13 fervent [ˈfɜ:vənt] 第8级 | |
adj.热的,热烈的,热情的 | |
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14 folly [ˈfɒli] 第8级 | |
n.愚笨,愚蠢,蠢事,蠢行,傻话 | |
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15 sever [ˈsevə(r)] 第9级 | |
vt.切开,割开;断绝,中断;vi.断;裂开;分离 | |
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16 martial [ˈmɑ:ʃl] 第8级 | |
adj.战争的,军事的,尚武的,威武的 | |
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17 perils [ˈperilz] 第9级 | |
极大危险( peril的名词复数 ); 危险的事(或环境) | |
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18 inclination [ˌɪnklɪˈneɪʃn] 第7级 | |
n.倾斜;点头;弯腰;斜坡;倾度;倾向;爱好 | |
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