XXIV
ALADDIN RUBS HIS LAMP
"Your esteemed1 contribution entitled Wareham Wildflowers has been accepted for The Pilot, Miss Perkins," said Rebecca, entering the room where Emma Jane was darning the firm's stockings. "I stayed to tea with Miss Maxwell, but came home early to tell you."
"You are joking, Becky!" faltered2 Emma Jane, looking up from her work.
"Not a bit; the senior editor read it and thought it highly instructive; it appears in the next issue."
"Not in the same number with your poem about the golden gates that close behind us when we leave school?"—and Emma Jane held her breath as she awaited the reply.
"Even so, Miss Perkins."
"Rebecca," said Emma Jane, with the nearest approach to tragedy that her nature would permit, "I don't know as I shall be able to bear it, and if anything happens to me, I ask you solemnly to bury that number of The Pilot with me."
Rebecca did not seem to think this the expression of an exaggerated state of feeling, inasmuch as she replied, "I know; that's just the way it seemed to me at first, and even now, whenever I'm alone and take out the Pilot back numbers to read over my contributions, I almost burst with pleasure; and it's not that they are good either, for they look worse to me every time I read them."
"If you would only live with me in some little house when we get older," mused3 Emma Jane, as with her darning needle poised4 in air she regarded the opposite wall dreamily, "I would do the housework and cooking, and copy all your poems and stories, and take them to the post-office, and you needn't do anything but write. It would be perfectly5 elergant!"
"I'd like nothing better, if I hadn't promised to keep house for John," replied Rebecca.
"He won't have a house for a good many years, will he?"
"No," sighed Rebecca ruefully, flinging herself down by the table and resting her head on her hand. "Not unless we can contrive6 to pay off that detestable mortgage. The day grows farther off instead of nearer now that we haven't paid the interest this year."
She pulled a piece of paper towards her, and scribbling7 idly on it read aloud in a moment or two:—
"Will you pay a little faster?" said the mortgage to the farm;
"I confess I'm very tired of this place."
"The weariness is mutual," Rebecca Randall cried;
"I would I'd never gazed upon your face!"
"A note has a 'face,'" observed Emma Jane, who was gifted in arithmetic. "I didn't know that a mortgage had."
"Our mortgage has," said Rebecca revengefully. "I should know him if I met him in the dark. Wait and I'll draw him for you. It will be good for you to know how he looks, and then when you have a husband and seven children, you won't allow him to come anywhere within a mile of your farm."
The sketch8 when completed was of a sort to be shunned9 by a timid person on the verge10 of slumber11. There was a tiny house on the right, and a weeping family gathered in front of it. The mortgage was depicted12 as a cross between a fiend and an ogre, and held an axe13 uplifted in his red right hand. A figure with streaming black locks was staying the blow, and this, Rebecca explained complacently14, was intended as a likeness15 of herself, though she was rather vague as to the method she should use in attaining16 her end.
"He's terrible," said Emma Jane, "but awfully17 wizened18 and small."
"It's only a twelve hundred dollar mortgage," said Rebecca, "and that's called a small one. John saw a man once that was mortgaged for twelve thousand."
"Shall you be a writer or an editor?" asked Emma Jane presently, as if one had only to choose and the thing were done.
"I shall have to do what turns up first, I suppose."
"Why not go out as a missionary19 to Syria, as the Burches are always coaxing20 you to? The Board would pay your expenses."
"I can't make up my mind to be a missionary," Rebecca answered. "I'm not good enough in the first place, and I don't 'feel a call,' as Mr. Burch says you must. I would like to do something for somebody and make things move, somewhere, but I don't want to go thousands of miles away teaching people how to live when I haven't learned myself. It isn't as if the heathen really needed me; I'm sure they'll come out all right in the end."
"I can't see how; if all the people who ought to go out to save them stay at home as we do," argued Emma Jane.
"Why, whatever God is, and wherever He is, He must always be there, ready and waiting. He can't move about and miss people. It may take the heathen a little longer to find Him, but God will make allowances, of course. He knows if they live in such hot climates it must make them lazy and slow; and the parrots and tigers and snakes and bread-fruit trees distract their minds; and having no books, they can't think as well; but they'll find God somehow, some time."
"What if they die first?" asked Emma Jane.
"Oh, well, they can't be blamed for that; they don't die on purpose," said Rebecca, with a comfortable theology.
In these days Adam Ladd sometimes went to Temperance on business connected with the proposed branch of the railroad familiarly known as the "York and Yank 'em," and while there he gained an inkling of Sunnybrook affairs. The building of the new road was not yet a certainty, and there was a difference of opinion as to the best route from Temperance to Plumville. In one event the way would lead directly through Sunnybrook, from corner to corner, and Mrs. Randall would be compensated21; in the other, her interests would not be affected22 either for good or ill, save as all land in the immediate23 neighborhood might rise a little in value.
Coming from Temperance to Wareham one day, Adam had a long walk and talk with Rebecca, whom he thought looking pale and thin, though she was holding bravely to her self-imposed hours of work. She was wearing a black cashmere dress that had been her aunt Jane's second best. We are familiar with the heroine of romance whose foot is so exquisitely24 shaped that the coarsest shoe cannot conceal25 its perfections, and one always cherishes a doubt of the statement; yet it is true that Rebecca's peculiar26 and individual charm seemed wholly independent of accessories. The lines of her figure, the rare coloring of skin and hair and eyes, triumphed over shabby clothing, though, had the advantage of artistic27 apparel been given her, the little world of Wareham would probably at once have dubbed28 her a beauty. The long black braids were now disposed after a quaint29 fashion of her own. They were crossed behind, carried up to the front, and crossed again, the tapering30 ends finally brought down and hidden in the thicker part at the neck. Then a purely31 feminine touch was given to the hair that waved back from the face,—a touch that rescued little crests32 and wavelets from bondage33 and set them free to take a new color in the sun.
Adam Ladd looked at her in a way that made her put her hands over her face and laugh through them shyly as she said: "I know what you are thinking, Mr. Aladdin,—that my dress is an inch longer than last year, and my hair different; but I'm not nearly a young lady yet; truly I'm not. Sixteen is a month off still, and you promised not to give me up till my dress trails. If you don't like me to grow old, why don't you grow young? Then we can meet in the halfway34 house and have nice times. Now that I think about it," she continued, "that's just what you've been doing all along. When you bought the soap, I thought you were grandfather Sawyer's age; when you danced with me at the flag-raising, you seemed like my father; but when you showed me your mother's picture, I felt as if you were my John, because I was so sorry for you."
"That will do very well," smiled Adam; "unless you go so swiftly that you become my grandmother before I really need one. You are studying too hard, Miss Rebecca Rowena!"
"Just a little," she confessed. "But vacation comes soon, you know."
"And are you going to have a good rest and try to recover your dimples? They are really worth preserving."
A shadow crept over Rebecca's face and her eyes suffused35. "Don't be kind, Mr. Aladdin, I can't bear it;—it's—it's not one of my dimply days!" and she ran in at the seminary gate, and disappeared with a farewell wave of her hand.
Adam Ladd wended his way to the principal's office in a thoughtful mood. He had come to Wareham to unfold a plan that he had been considering for several days. This year was the fiftieth anniversary of the founding of the Wareham schools, and he meant to tell Mr. Morrison that in addition to his gift of a hundred volumes to the reference library, he intended to celebrate it by offering prizes in English composition, a subject in which he was much interested. He wished the boys and girls of the two upper classes to compete; the award to be made to the writers of the two best essays. As to the nature of the prizes he had not quite made up his mind, but they would be substantial ones, either of money or of books.
This interview accomplished36, he called upon Miss Maxwell, thinking as he took the path through the woods, "Rose-Red-Snow-White needs the help, and since there is no way of my giving it to her without causing remark, she must earn it, poor little soul! I wonder if my money is always to be useless where most I wish to spend it!"
He had scarcely greeted his hostess when he said: "Miss Maxwell, doesn't it strike you that our friend Rebecca looks wretchedly tired?"
"She does indeed, and I am considering whether I can take her away with me. I always go South for the spring vacation, traveling by sea to Old Point Comfort, and rusticating37 in some quiet spot near by. I should like nothing better than to have Rebecca for a companion."
"The very thing!" assented38 Adam heartily39; "but why should you take the whole responsibility? Why not let me help? I am greatly interested in the child, and have been for some years."
"You needn't pretend you discovered her," interrupted Miss Maxwell warmly, "for I did that myself."
"She was an intimate friend of mine long before you ever came to Wareham," laughed Adam, and he told Miss Maxwell the circumstances of his first meeting with Rebecca. "From the beginning I've tried to think of a way I could be useful in her development, but no reasonable solution seemed to offer itself."
"Luckily she attends to her own development," answered Miss Maxwell. "In a sense she is independent of everything and everybody; she follows her saint without being conscious of it. But she needs a hundred practical things that money would buy for her, and alas! I have a slender purse."
"Take mine, I beg, and let me act through you," pleaded Adam. "I could not bear to see even a young tree trying its best to grow without light or air,—how much less a gifted child! I interviewed her aunts a year ago, hoping I might be permitted to give her a musical education. I assured them it was a most ordinary occurrence, and that I was willing to be repaid later on if they insisted, but it was no use. The elder Miss Sawyer remarked that no member of her family ever had lived on charity, and she guessed they wouldn't begin at this late day."
"I rather like that uncompromising New England grit," exclaimed Miss Maxwell, "and so far, I don't regret one burden that Rebecca has borne or one sorrow that she has shared. Necessity has only made her brave; poverty has only made her daring and self-reliant. As to her present needs, there are certain things only a woman ought to do for a girl, and I should not like to have you do them for Rebecca; I should feel that I was wounding her pride and self-respect, even though she were ignorant; but there is no reason why I may not do them if necessary and let you pay her traveling expenses. I would accept those for her without the slightest embarrassment40, but I agree that the matter would better be kept private between us."
"You are a real fairy godmother!" exclaimed Adam, shaking her hand warmly. "Would it be less trouble for you to invite her room-mate too,—the pink-and-white inseparable?"
"No, thank you, I prefer to have Rebecca all to myself," said Miss Maxwell.
"I can understand that," replied Adam absent-mindedly; "I mean, of course, that one child is less trouble than two. There she is now."
Here Rebecca appeared in sight, walking down the quiet street with a lad of sixteen. They were in animated41 conversation, and were apparently42 reading something aloud to each other, for the black head and the curly brown one were both bent43 over a sheet of letter paper. Rebecca kept glancing up at her companion, her eyes sparkling with appreciation44.
"Miss Maxwell," said Adam, "I am a trustee of this institution, but upon my word I don't believe in coeducation!"
"I have my own occasional hours of doubt," she answered, "but surely its disadvantages are reduced to a minimum with—children! That is a very impressive sight which you are privileged to witness, Mr. Ladd. The folk in Cambridge often gloated on the spectacle of Longfellow and Lowell arm in arm. The little school world of Wareham palpitates with excitement when it sees the senior and the junior editors of The Pilot walking together!"
1
esteemed [ɪs'ti:md]
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adj.受人尊敬的v.尊敬( esteem的过去式和过去分词 );敬重;认为;以为 | |
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2
faltered [ˈfɔ:ltəd]
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(嗓音)颤抖( falter的过去式和过去分词 ); 支吾其词; 蹒跚; 摇晃 | |
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3
mused [m'ju:zd]
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v.沉思,冥想( muse的过去式和过去分词 );沉思自语说(某事) | |
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poised [pɔizd]
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a.摆好姿势不动的 | |
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perfectly [ˈpɜ:fɪktli]
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adv.完美地,无可非议地,彻底地 | |
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contrive [kənˈtraɪv]
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vt.谋划,策划;设法做到;设计,想出 | |
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scribbling ['skrɪblɪŋ]
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n.乱涂[写]胡[乱]写的文章[作品]v.潦草的书写( scribble的现在分词 );乱画;草草地写;匆匆记下 | |
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sketch [sketʃ]
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n.草图;梗概;素描;vt.&vi.素描;概述 | |
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shunned [ʃʌnd]
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v.避开,回避,避免( shun的过去式和过去分词 ) | |
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verge [vɜ:dʒ]
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n.边,边缘;vi.接近,濒临 | |
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slumber [ˈslʌmbə(r)]
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n.睡眠,沉睡状态 | |
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depicted [diˈpiktid]
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描绘,描画( depict的过去式和过去分词 ); 描述 | |
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axe [æks]
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n.斧子;vt.用斧头砍,削减 | |
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complacently [kəm'pleɪsntlɪ]
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adv. 满足地, 自满地, 沾沾自喜地 | |
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likeness [ˈlaɪknəs]
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n.相像,相似(之处) | |
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attaining [əˈteinɪŋ]
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(通常经过努力)实现( attain的现在分词 ); 达到; 获得; 达到(某年龄、水平、状况) | |
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awfully [ˈɔ:fli]
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adv.可怕地,非常地,极端地 | |
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wizened [ˈwɪznd]
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adj.凋谢的;枯槁的 | |
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missionary [ˈmɪʃənri]
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adj.教会的,传教(士)的;n.传教士 | |
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coaxing [ˈkəʊksɪŋ]
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v.哄,用好话劝说( coax的现在分词 );巧言骗取;哄劝,劝诱;“锻炼”效应 | |
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compensated [ˈkɔmpenseitid]
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补偿,报酬( compensate的过去式和过去分词 ); 给(某人)赔偿(或赔款) | |
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affected [əˈfektɪd]
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adj.不自然的,假装的 | |
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immediate [ɪˈmi:diət]
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adj.立即的;直接的,最接近的;紧靠的 | |
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exquisitely [ekˈskwɪzɪtlɪ]
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adv.精致地;强烈地;剧烈地;异常地 | |
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conceal [kənˈsi:l]
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vt.隐藏,隐瞒,隐蔽 | |
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peculiar [pɪˈkju:liə(r)]
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adj.古怪的,异常的;特殊的,特有的 | |
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artistic [ɑ:ˈtɪstɪk]
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adj.艺术(家)的,美术(家)的;善于艺术创作的 | |
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dubbed ['dʌbd]
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v.给…起绰号( dub的过去式和过去分词 );把…称为;配音;复制 | |
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quaint [kweɪnt]
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adj.古雅的,离奇有趣的,奇怪的 | |
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tapering ['teipəriŋ]
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adj.尖端细的 | |
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purely [ˈpjʊəli]
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adv.纯粹地,完全地 | |
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crests [krests]
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v.到达山顶(或浪峰)( crest的第三人称单数 );到达洪峰,达到顶点 | |
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bondage [ˈbɒndɪdʒ]
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n.奴役,束缚 | |
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halfway [ˌhɑ:fˈweɪ]
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adj.中途的,不彻底的,部分的;adv.半路地,在中途,在半途 | |
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suffused [səf'ju:zd]
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v.(指颜色、水气等)弥漫于,布满( suffuse的过去式和过去分词 ) | |
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accomplished [əˈkʌmplɪʃt]
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adj.有才艺的;有造诣的;达到了的 | |
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rusticating [ˈrʌstɪˌkeɪtɪŋ]
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v.罚(大学生)暂时停学离校( rusticate的现在分词 );在农村定居 | |
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assented [əˈsentid]
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同意,赞成( assent的过去式和过去分词 ) | |
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heartily [ˈhɑ:tɪli]
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adv.衷心地,诚恳地,十分,很 | |
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40
embarrassment [ɪmˈbærəsmənt]
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n.尴尬;使人为难的人(事物);障碍;窘迫 | |
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animated [ˈænɪmeɪtɪd]
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adj.生气勃勃的,活跃的,愉快的 | |
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apparently [əˈpærəntli]
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adv.显然地;表面上,似乎 | |
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bent [bent]
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n.爱好,癖好;adj.弯的;决心的,一心的;v.(使)弯曲,屈身(bend的过去式和过去分词) | |
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appreciation [əˌpri:ʃiˈeɪʃn]
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n.评价;欣赏;感谢;领会,理解;价格上涨 | |
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