(1865)
IT is winter-time. The earth wears a snowy garment, and looks like marble hewn out of the rock; the air is bright and clear; the wind is sharp as a well-tempered sword, and the trees stand like branches of white coral or blooming almond twigs2, and here it is keen as on the lofty Alps.
The night is splendid in the gleam of the Northern Lights, and in the glitter of innumerable twinkling stars.
But we sit in the warm room, by the hot stove, and talk about the old times. And we listen to this story:
By the open sea was a giant’s grave; and on the grave-mound3 sat at midnight the spirit of the buried hero, who had been a king. The golden circlet gleamed on his brow, his hair fluttered in the wind, and he was clad in steel and iron. He bent4 his head mournfully, and sighed in deep sorrow, as an unquiet spirit might sigh.
And a ship came sailing by. Presently the sailors lowered the anchor and landed. Among them was a singer, and he approached the royal spirit, and said,
“Why mournest thou, and wherefore dost thou suffer thus?”
And the dead man answered,
“No one has sung the deeds of my life; they are dead and forgotten. Song doth not carry them forth5 over the lands, nor into the hearts of men; therefore I have no rest and no peace.”
And he spoke6 of his works, and of his warlike deeds, which his contemporaries had known, but which had not been sung, because there was no singer among his companions.
Then the old bard7 struck the strings8 of his harp1, and sang of the youthful courage of the hero, of the strength of the man, and of the greatness of his good deeds. Then the face of the dead one gleamed like the margin9 of the cloud in the moonlight. Gladly and of good courage, the form arose in splendor10 and in majesty11, and vanished like the glancing of the northern light. Nought12 was to be seen but the green turfy mound, with the stones on which no Runic record has been graven; but at the last sound of the harp there soared over the hill, as though he had fluttered from the harp, a little bird, a charming singing-bird, with ringing voice of the thrush, with the moving voice pathos13 of the human heart, with a voice that told of home, like the voice that is heard by the bird of passage. The singing-bird soared away, over mountain and valley, over field and wood—he was the Bird of Popular Song, who never dies.
We hear his song—we hear it now in the room while the white bees are swarming14 without, and the storm clutches the windows. The bird sings not alone the requiem15 of heroes; he sings also sweet gentle songs of love, so many and so warm, of Northern fidelity16 and truth. He has stories in words and in tones; he has proverbs and snatches of proverbs; songs which, like Runes laid under a dead man’s tongue, force him to speak; and thus Popular Song tells of the land of his birth.
In the old heathen days, in the times of the Vikings, the popular speech was enshrined in the harp of the bard.
In the days of knightly17 castles, when the strongest fist held the scales of justice, when only might was right, and a peasant and a dog were of equal importance, where did the Bird of Song find shelter and protection? Neither violence nor stupidity gave him a thought.
But in the gabled window of the knightly castle, the lady of the castle sat with the parchment roll before her, and wrote down the old recollections in song and legend, while near her stood the old woman from the wood, and the travelling peddler who went wandering through the country. As these told their tales, there fluttered around them, with twittering and song, the Bird of Popular Song, who never dies so long as the earth has a hill upon which his foot may rest.
And now he looks in upon us and sings. Without are the night and the snow-storm. He lays the Runes beneath our tongues, and we know the land of our home. Heaven speaks to us in our native tongue, in the voice of the Bird of Popular Song. The old remembrances awake, the faded colors glow with a fresh lustre18, and story and song pour us a blessed draught20" target="_blank">draught19 which lifts up our minds and our thoughts, so that the evening becomes as a Christmas festival.
The snow-flakes chase each other, the ice cracks, the storm rules without, for he has the might, he is lord—but not the LORD OF ALL.
It is winter time. The wind is sharp as a two-edged sword, the snow-flakes chase each other; it seems as though it had been snowing for days and weeks, and the snow lies like a great mountain over the whole town, like a heavy dream of the winter night. Everything on the earth is hidden away, only the golden cross of the church, the symbol of faith, arises over the snow grave, and gleams in the blue air and in the bright sunshine.
And over the buried town fly the birds of heaven, the small and the great; they twitter and they sing as best they may, each bird with his beak21.
First comes the band of sparrows: they pipe at every trifle in the streets and lanes, in the nests and the houses; they have stories to tell about the front buildings and the back buildings.
“We know the buried town,” they say; “everything living in it is piep! piep! piep!”
The black ravens22 and crows flew on over the white snow.
“Grub, grub!” they cried. “There’s something to be got down there; something to swallow, and that’s most important. That’s the opinion of most of them down there, and the opinion is goo-goo-good!”
The wild swans come flying on whirring pinions23, and sing of the noble and the great, that will still sprout24 in the hearts of men, down in the town which is resting beneath its snowy veil.
No death is there—life reigns25 yonder; we hear it on the notes that swell26 onward27 like the tones of the church organ, which seize us like sounds from the elf-hill, like the songs of Ossian, like the rushing swoop28 of the wandering spirits’ wings. What harmony! That harmony speaks to our hearts, and lifts up our souls! It is the Bird of Popular Song whom we hear.
And at this moment the warm breath of heaven blows down from the sky. There are gaps in the snowy mountains, the sun shines into the clefts29; spring is coming, the birds are returning, and new races are coming with the same home sounds in their hearts.
Hear the story of the year: “The night of the snow-storm, the heavy dream of the winter night, all shall be dissolved, all shall rise again in the beauteous notes of the Bird of Popular Song, who never dies!”
1 harp [hɑ:p] 第9级 | |
n.竖琴;天琴座 | |
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2 twigs [twiɡz] 第8级 | |
细枝,嫩枝( twig的名词复数 ) | |
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3 mound [maʊnd] 第9级 | |
n.土墩,堤,小山;vt.筑堤,用土堆防卫;vi.积成堆 | |
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4 bent [bent] 第7级 | |
n.爱好,癖好;adj.弯的;决心的,一心的;v.(使)弯曲,屈身(bend的过去式和过去分词) | |
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5 forth [fɔ:θ] 第7级 | |
adv.向前;向外,往外 | |
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6 spoke [spəʊk] 第11级 | |
n.(车轮的)辐条;轮辐;破坏某人的计划;阻挠某人的行动 v.讲,谈(speak的过去式);说;演说;从某种观点来说 | |
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7 bard [bɑ:d] 第12级 | |
n.吟游诗人 | |
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8 strings [strɪŋz] 第12级 | |
n.弦 | |
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9 margin [ˈmɑ:dʒɪn] 第7级 | |
n.页边空白;差额;余地,余裕;边,边缘 | |
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10 splendor ['splendə] 第10级 | |
n.光彩;壮丽,华丽;显赫,辉煌 | |
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11 majesty [ˈmædʒəsti] 第7级 | |
n.雄伟,壮丽,庄严,威严;最高权威,王权 | |
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12 nought [nɔ:t] 第9级 | |
n./adj.无,零 | |
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13 pathos [ˈpeɪθɒs] 第10级 | |
n.哀婉,悲怆 | |
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14 swarming ['swɔ:mɪŋ] 第7级 | |
密集( swarm的现在分词 ); 云集; 成群地移动; 蜜蜂或其他飞行昆虫成群地飞来飞去 | |
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15 requiem [ˈrekwiəm] 第11级 | |
n.安魂曲,安灵曲 | |
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16 fidelity [fɪˈdeləti] 第8级 | |
n.忠诚,忠实;精确 | |
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17 knightly ['naɪtlɪ] 第7级 | |
adj. 骑士般的 adv. 骑士般地 | |
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18 lustre [ˈlʌstə(r)] 第11级 | |
n.光亮,光泽;荣誉;vi.有光泽,发亮;vt.使有光泽 | |
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20 draught [drɑ:ft] 第10级 | |
n.拉,牵引,拖;一网(饮,吸,阵);顿服药量,通风;v.起草,设计 | |
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21 beak [bi:k] 第8级 | |
n.鸟嘴,茶壶嘴,钩形鼻 | |
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22 ravens ['rævənz] 第11级 | |
n.低质煤;渡鸦( raven的名词复数 ) | |
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23 pinions [ˈpɪnjənz] 第11级 | |
v.抓住[捆住](双臂)( pinion的第三人称单数 ) | |
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24 sprout [spraʊt] 第7级 | |
n.芽,萌芽;vt.使发芽,摘去芽;vi.长芽,抽条 | |
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25 reigns [reinz] 第7级 | |
n.君主的统治( reign的名词复数 );君主统治时期;任期;当政期 | |
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26 swell [swel] 第7级 | |
vi.膨胀,肿胀;增长,增强 | |
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27 onward [ˈɒnwəd] 第9级 | |
adj.向前的,前进的;adv.向前,前进,在先 | |
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