“I WILL give you a picture of Pompeii,” said the Moon. “I was in the suburb in the Street of Tombs, as they call it, where the fair monuments stand, in the spot where, ages ago, the merry youths, their temples bound with rosy¹ wreaths, danced with the fair sisters of Lais. Now, the stillness of death reigned² around. German mercenaries, in the Neapolitan service, kept guard, played cards, and diced³; and a troop of strangers from beyond the mountains came into the town, accompanied by a sentry⁴. They wanted to see the city that had risen from the grave illumined by my beams; and I showed them the wheel-ruts in the streets paved with broad lava⁵ slabs⁶; I showed them the names on the doors, and the signs that hung there yet: they saw in the little courtyard the basins of the fountains, ornamented⁷ with shells; but no jet of water gushed⁸ upwards⁹, no songs sounded forth¹⁰ from the richly-painted chambers¹¹, where the bronze dog kept the door.

“It was the City of the Dead; only Vesuvius thundered forth his everlasting¹² hymn¹³, each separate verse of which is called by men an eruption¹⁴. We went to the temple of Venus, built of snow-white marble, with its high altar in front of the broad steps, and the weeping willows¹⁵ sprouting¹⁶ freshly forth among the pillars. The air was transparent¹⁷ and blue, and black Vesuvius formed the background, with fire ever shooting forth from it, like the stem of the pine tree. Above it stretched the smoky cloud in the silence of the night, like the crown of the pine, but in a blood-red illumination. Among the company was a lady singer, a real and great singer. I have witnessed the homage¹⁸ paid to her in the greatest cities of Europe. When they came to the tragic¹⁹ theatre, they all sat down on the amphitheatre steps, and thus a small part of the house was occupied by an audience, as it had been many centuries ago. The stage still stood unchanged, with its walled side-scenes, and the two arches in the background, through which the beholders saw the same scene that had been exhibited in the old times—a scene painted by nature herself, namely, the mountains between Sorento and Amalfi. The singer gaily²⁰ mounted the ancient stage, and sang. The place inspired her, and she reminded me of a wild Arab horse, that rushes headlong on with snorting nostrils²¹ and flying mane—her song was so light and yet so firm. Anon I thought of the mourning mother beneath the cross at Golgotha, so deep was the expression of pain. And, just as it had done thousands of years ago, the sound of applause and delight now filled the theatre. ‘Happy, gifted creature!’ all the hearers exclaimed. Five minutes more, and the stage was empty, the company had vanished, and not a sound more was heard—all were gone. But the ruins stood unchanged, as they will stand when centuries shall have gone by, and when none shall know of the momentary²² applause and of the triumph of the fair songstress; when all will be forgotten and gone, and even for me this hour will be but a dream of the past.”