Good phrases are surely, and ever were, very commendable1.
—Justice Shallow.
A few days afterwards—it was already the end of August—there was an occasion which caused some excitement in Middlemarch: the public, if it chose, was to have the advantage of buying, under the distinguished2 auspices3 of Mr. Borthrop Trumbull, the furniture, books, and pictures which anybody might see by the handbills to be the best in every kind, belonging to Edwin Larcher, Esq. This was not one of the sales indicating the depression of trade; on the contrary, it was due to Mr. Larcher’s great success in the carrying business, which warranted his purchase of a mansion5 near Riverston already furnished in high style by an illustrious Spa physician—furnished indeed with such large framefuls of expensive flesh-painting in the dining-room, that Mrs. Larcher was nervous until reassured6 by finding the subjects to be Scriptural. Hence the fine opportunity to purchasers which was well pointed7 out in the handbills of Mr. Borthrop Trumbull, whose acquaintance with the history of art enabled him to state that the hall furniture, to be sold without reserve, comprised a piece of carving8 by a contemporary of Gibbons.
At Middlemarch in those times a large sale was regarded as a kind of festival. There was a table spread with the best cold eatables, as at a superior funeral; and facilities were offered for that generous-drinking of cheerful glasses which might lead to generous and cheerful bidding for undesirable9 articles. Mr. Larcher’s sale was the more attractive in the fine weather because the house stood just at the end of the town, with a garden and stables attached, in that pleasant issue from Middlemarch called the London Road, which was also the road to the New Hospital and to Mr. Bulstrode’s retired10 residence, known as the Shrubs11. In short, the auction12 was as good as a fair, and drew all classes with leisure at command: to some, who risked making bids in order simply to raise prices, it was almost equal to betting at the races. The second day, when the best furniture was to be sold, “everybody” was there; even Mr. Thesiger, the rector of St. Peter’s, had looked in for a short time, wishing to buy the carved table, and had rubbed elbows with Mr. Bambridge and Mr. Horrock. There was a wreath of Middlemarch ladies accommodated with seats round the large table in the dining-room, where Mr. Borthrop Trumbull was mounted with desk and hammer; but the rows chiefly of masculine faces behind were often varied13 by incomings and outgoings both from the door and the large bow-window opening on to the lawn.
“Everybody” that day did not include Mr. Bulstrode, whose health could not well endure crowds and draughts14. But Mrs. Bulstrode had particularly wished to have a certain picture—a “Supper at Emmaus,” attributed in the catalogue to Guido; and at the last moment before the day of the sale Mr. Bulstrode had called at the office of the “Pioneer,” of which he was now one of the proprietors15, to beg of Mr. Ladislaw as a great favor that he would obligingly use his remarkable16 knowledge of pictures on behalf of Mrs. Bulstrode, and judge of the value of this particular painting—“if,” added the scrupulously17 polite banker, “attendance at the sale would not interfere18 with the arrangements for your departure, which I know is imminent20.”
This proviso might have sounded rather satirically in Will’s ear if he had been in a mood to care about such satire21. It referred to an understanding entered into many weeks before with the proprietors of the paper, that he should be at liberty any day he pleased to hand over the management to the subeditor whom he had been training; since he wished finally to quit Middlemarch. But indefinite visions of ambition are weak against the ease of doing what is habitual22 or beguilingly23 agreeable; and we all know the difficulty of carrying out a resolve when we secretly long that it may turn out to be unnecessary. In such states of mind the most incredulous person has a private leaning towards miracle: impossible to conceive how our wish could be fulfilled, still—very wonderful things have happened! Will did not confess this weakness to himself, but he lingered. What was the use of going to London at that time of the year? The Rugby men who would remember him were not there; and so far as political writing was concerned, he would rather for a few weeks go on with the “Pioneer.” At the present moment, however, when Mr. Bulstrode was speaking to him, he had both a strengthened resolve to go and an equally strong resolve not to go till he had once more seen Dorothea. Hence he replied that he had reasons for deferring24 his departure a little, and would be happy to go to the sale.
Will was in a defiant25 mood, his consciousness being deeply stung with the thought that the people who looked at him probably knew a fact tantamount to an accusation26 against him as a fellow with low designs which were to be frustrated27 by a disposal of property. Like most people who assert their freedom with regard to conventional distinction, he was prepared to be sudden and quick at quarrel with any one who might hint28 that he had personal reasons for that assertion—that there was anything in his blood, his bearing, or his character to which he gave the mask of an opinion. When he was under an irritating impression of this kind he would go about for days with a defiant look, the color changing in his transparent29 skin as if he were on the qui vive, watching for something which he had to dart30 upon.
This expression was peculiarly noticeable in him at the sale, and those who had only seen him in his moods of gentle oddity or of bright enjoyment would have been struck with a contrast. He was not sorry to have this occasion for appearing in public before the Middlemarch tribes of Toller, Hackbutt, and the rest, who looked down on him as an adventurer, and were in a state of brutal31 ignorance about Dante—who sneered32 at his Polish blood, and were themselves of a breed very much in need of crossing. He stood in a conspicuous33 place not far from the auctioneer, with a fore-finger in each side-pocket and his head thrown backward, not caring to speak to anybody, though he had been cordially welcomed as a connoissure by Mr. Trumbull, who was enjoying the utmost activity of his great faculties34.
And surely among all men whose vocation35 requires them to exhibit their powers of speech, the happiest is a prosperous provincial36 auctioneer keenly alive to his own jokes and sensible of his encyclopedic knowledge. Some saturnine37, sour-blooded persons might object to be constantly insisting on the merits of all articles from boot-jacks to “Berghems;” but Mr. Borthrop Trumbull had a kindly38 liquid in his veins39; he was an admirer by nature, and would have liked to have the universe under his hammer, feeling that it would go at a higher figure for his recommendation.
Meanwhile Mrs. Larcher’s drawing-room furniture was enough for him. When Will Ladislaw had come in, a second fender, said to have been forgotten in its right place, suddenly claimed the auctioneer’s enthusiasm, which he distributed on the equitable40 principle of praising those things most which were most in need of praise. The fender was of polished steel, with much lancet-shaped open-work and a sharp edge.
“Now, ladies,” said he, “I shall appeal to you. Here is a fender which at any other sale would hardly be offered with out reserve, being, as I may say, for quality of steel and quaintness41 of design, a kind of thing”—here Mr. Trumbull dropped his voice and became slightly nasal, trimming his outlines with his left finger—“that might not fall in with ordinary tastes. Allow me to tell you that by-and-by this style of workmanship will be the only one in vogue—half-a-crown, you said? thank you—going at half-a-crown, this characteristic fender; and I have particular information that the antique style is very much sought after in high quarters. Three shillings—three-and-sixpence—hold it well up, Joseph! Look, ladies, at the chastity of the design—I have no doubt myself that it was turned out in the last century! Four shillings, Mr. Mawmsey?—four shillings.”
“It’s not a thing I would put in my drawing-room,” said Mrs. Mawmsey, audibly, for the warning of the rash husband. “I wonder at Mrs. Larcher. Every blessed child’s head that fell against it would be cut in two. The edge is like a knife.”
“Quite true,” rejoined Mr. Trumbull, quickly, “and most uncommonly42 useful to have a fender at hand that will cut, if you have a leather shoe-tie or a bit of string that wants cutting and no knife at hand: many a man has been left hanging because there was no knife to cut him down. Gentlemen, here’s a fender that if you had the misfortune to hang yourselves would cut you down in no time—with astonishing celerity—four-and-sixpence—five—five-and-sixpence—an appropriate thing for a spare bedroom where there was a four-poster and a guest a little out of his mind—six shillings—thank you, Mr. Clintup—going at six shillings—going—gone!” The auctioneer’s glance, which had been searching round him with a preternatural susceptibility to all signs of bidding, here dropped on the paper before him, and his voice too dropped into a tone of indifferent despatch44 as he said, “Mr. Clintup. Be handy, Joseph.”
“It was worth six shillings to have a fender you could always tell that joke on,” said Mr. Clintup, laughing low and apologetically to his next neighbor. He was a diffident though distinguished nurseryman, and feared that the audience might regard his bid as a foolish one.
Meanwhile Joseph had brought a trayful of small articles. “Now, ladies,” said Mr. Trumbull, taking up one of the articles, “this tray contains a very recherchy lot—a collection of trifles for the drawing-room table—and trifles make the sum of human things—nothing more important than trifles—(yes, Mr. Ladislaw, yes, by-and-by)—but pass the tray round, Joseph—these bijoux must be examined, ladies. This I have in my hand is an ingenious contrivance—a sort of practical rebus45, I may call it: here, you see, it looks like an elegant heart-shaped box, portable—for the pocket; there, again, it becomes like a splendid double flower—an ornament46 for the table; and now”—Mr. Trumbull allowed the flower to fall alarmingly into strings47 of heart-shaped leaves—“a book of riddles48! No less than five hundred printed in a beautiful red. Gentlemen, if I had less of a conscience, I should not wish you to bid high for this lot—I have a longing4 for it myself. What can promote innocent mirth, and I may say virtue50, more than a good riddle49?—it hinders profane51 language, and attaches a man to the society of refined females. This ingenious article itself, without the elegant domino-box, card-basket, &c., ought alone to give a high price to the lot. Carried in the pocket it might make an individual welcome in any society. Four shillings, sir?—four shillings for this remarkable collection of riddles with the et caeteras. Here is a sample: ‘How must you spell honey to make it catch lady-birds? Answer—money.’ You hear?—lady-birds—honey money. This is an amusement to sharpen the intellect; it has a sting—it has what we call satire, and wit without indecency. Four-and-sixpence—five shillings.”
The bidding ran on with warming rivalry52. Mr. Bowyer was a bidder53, and this was too exasperating54. Bowyer couldn’t afford it, and only wanted to hinder every other man from making a figure. The current carried even Mr. Horrock with it, but this committal of himself to an opinion fell from him with so little sacrifice of his neutral expression, that the bid might not have been detected as his but for the friendly oaths of Mr. Bambridge, who wanted to know what Horrock would do with blasted stuff only fit for haberdashers given over to that state of perdition which the horse-dealer so cordially recognized in the majority of earthly existences. The lot was finally knocked down at a guinea to Mr. Spilkins, a young Slender of the neighborhood, who was reckless with his pocket-money and felt his want of memory for riddles.
“Come, Trumbull, this is too bad—you’ve been putting some old maid’s rubbish into the sale,” murmured Mr. Toller, getting close to the auctioneer. “I want to see how the prints go, and I must be off soon.”
“Immediately, Mr. Toller. It was only an act of benevolence55 which your noble heart would approve. Joseph! quick with the prints—Lot 235. Now, gentlemen, you who are connoissures, you are going to have a treat. Here is an engraving56 of the Duke of Wellington surrounded by his staff on the Field of Waterloo; and notwithstanding recent events which have, as it were, enveloped57 our great Hero in a cloud, I will be bold to say—for a man in my line must not be blown about by political winds—that a finer subject—of the modern order, belonging to our own time and epoch—the understanding of man could hardly conceive: angels might, perhaps, but not men, sirs, not men.”
“Who painted it?” said Mr. Powderell, much impressed.
“It is a proof before the letter, Mr. Powderell—the painter is not known,” answered Trumbull, with a certain gaspingness in his last words, after which he pursed up his lips and stared round him.
“I’ll bid a pound!” said Mr. Powderell, in a tone of resolved emotion, as of a man ready to put himself in the breach58. Whether from awe59 or pity, nobody raised the price on him.
Next came two Dutch prints which Mr. Toller had been eager for, and after he had secured them he went away. Other prints, and afterwards some paintings, were sold to leading Middlemarchers who had come with a special desire for them, and there was a more active movement of the audience in and out; some, who had bought what they wanted, going away, others coming in either quite newly or from a temporary visit to the refreshments60 which were spread under the marquee on the lawn. It was this marquee that Mr. Bambridge was bent61 on buying, and he appeared to like looking inside it frequently, as a foretaste of its possession. On the last occasion of his return from it he was observed to bring with him a new companion, a stranger to Mr. Trumbull and every one else, whose appearance, however, led to the supposition that he might be a relative of the horse-dealer’s—also “given to indulgence.” His large whiskers, imposing62 swagger, and swing of the leg, made him a striking figure; but his suit of black, rather shabby at the edges, caused the prejudicial inference that he was not able to afford himself as much indulgence as he liked.
“Who is it you’ve picked up, Bam?” said Mr. Horrock, aside.
“Ask him yourself,” returned Mr. Bambridge. “He said he’d just turned in from the road.”
Mr. Horrock eyed the stranger, who was leaning back against his stick with one hand, using his toothpick with the other, and looking about him with a certain restlessness apparently63 under the silence imposed on him by circumstances.
At length the “Supper at Emmaus” was brought forward, to Will’s immense relief, for he was getting so tired of the proceedings64 that he had drawn65 back a little and leaned his shoulder against the wall just behind the auctioneer. He now came forward again, and his eye caught the conspicuous stranger, who, rather to his surprise, was staring at him markedly. But Will was immediately appealed to by Mr. Trumbull.
“Yes, Mr. Ladislaw, yes; this interests you as a connoissure, I think. It is some pleasure,” the auctioneer went on with a rising fervor66, “to have a picture like this to show to a company of ladies and gentlemen—a picture worth any sum to an individual whose means were on a level with his judgment67. It is a painting of the Italian school—by the celebrated68 Guydo, the greatest painter in the world, the chief of the Old Masters, as they are called—I take it, because they were up to a thing or two beyond most of us—in possession of secrets now lost to the bulk69 of mankind. Let me tell you, gentlemen, I have seen a great many pictures by the Old Masters, and they are not all up to this mark—some of them are darker than you might like and not family subjects. But here is a Guydo—the frame alone is worth pounds—which any lady might be proud to hang up—a suitable thing for what we call a refectory in a charitable institution, if any gentleman of the Corporation wished to show his munificence70. Turn it a little, sir? yes. Joseph, turn it a little towards Mr. Ladislaw—Mr. Ladislaw, having been abroad, understands the merit of these things, you observe.”
All eyes were for a moment turned towards Will, who said, coolly, “Five pounds.” The auctioneer burst out in deep remonstrance71.
“Ah! Mr. Ladislaw! the frame alone is worth that. Ladies and gentlemen, for the credit of the town! Suppose it should be discovered hereafter that a gem19 of art has been amongst us in this town, and nobody in Middlemarch awake to it. Five guineas—five seven-six—five ten. Still, ladies, still! It is a gem, and ‘Full many a gem,’ as the poet says, has been allowed to go at a nominal72 price because the public knew no better, because it was offered in circles where there was—I was going to say a low feeling, but no!—Six pounds—six guineas—a Guydo of the first order going at six guineas—it is an insult to religion, ladies; it touches us all as Christians73, gentlemen, that a subject like this should go at such a low figure—six pounds ten—seven—”
The bidding was brisk, and Will continued to share in it, remembering that Mrs. Bulstrode had a strong wish for the picture, and thinking that he might stretch the price to twelve pounds. But it was knocked down to him at ten guineas, whereupon he pushed his way towards the bow-window and went out. He chose to go under the marquee to get a glass of water, being hot and thirsty: it was empty of other visitors, and he asked the woman in attendance to fetch him some fresh water; but before she was well gone he was annoyed to see entering the florid stranger who had stared at him. It struck Will at this moment that the man might be one of those political parasitic74 insects of the bloated kind who had once or twice claimed acquaintance with him as having heard him speak on the Reform question, and who might think of getting a shilling by news. In this light his person, already rather heating to behold75 on a summer’s day, appeared the more disagreeable; and Will, half-seated on the elbow of a garden-chair, turned his eyes carefully away from the comer. But this signified little to our acquaintance Mr. Raffles76, who never hesitated to thrust himself on unwilling77 observation, if it suited his purpose to do so. He moved a step or two till he was in front of Will, and said with full-mouthed haste, “Excuse me, Mr. Ladislaw—was your mother’s name Sarah Dunkirk?”
Will, starting to his feet, moved backward a step, frowning, and saying with some fierceness, “Yes, sir, it was. And what is that to you?”
It was in Will’s nature that the first spark it threw out was a direct answer of the question and a challenge of the consequences. To have said, “What is that to you?” in the first instance, would have seemed like shuffling—as if he minded who knew anything about his origin!
Raffles on his side had not the same eagerness for a collision which was implied in Ladislaw’s threatening air. The slim young fellow with his girl’s complexion78 looked like a tiger-cat ready to spring on him. Under such circumstances Mr. Raffles’s pleasure in annoying his company was kept in abeyance79.
“No offence, my good sir, no offence! I only remember your mother—knew her when she was a girl. But it is your father that you feature, sir. I had the pleasure of seeing your father too. Parents alive, Mr. Ladislaw?”
“No!” thundered Will, in the same attitude as before.
“Should be glad to do you a service, Mr. Ladislaw—by Jove, I should! Hope to meet again.”
Hereupon Raffles, who had lifted his hat with the last words, turned himself round with a swing of his leg and walked away. Will looked after him a moment, and could see that he did not re-enter the auction-room, but appeared to be walking towards the road. For an instant he thought that he had been foolish not to let the man go on talking;—but no! on the whole he preferred doing without knowledge from that source.
Later in the evening, however, Raffles overtook him in the street, and appearing either to have forgotten the roughness of his former reception or to intend avenging80 it by a forgiving familiarity, greeted him jovially81 and walked by his side, remarking at first on the pleasantness of the town and neighborhood. Will suspected that the man had been drinking and was considering how to shake him off when Raffles said—
“I’ve been abroad myself, Mr. Ladislaw—I’ve seen the world—used to parley-vous a little. It was at Boulogne I saw your father—a most uncommon43 likeness82 you are of him, by Jove! mouth—nose—eyes—hair turned off your brow just like his—a little in the foreign style. John Bull doesn’t do much of that. But your father was very ill when I saw him. Lord, lord! hands you might see through. You were a small youngster then. Did he get well?”
“Ah! Well! I’ve often wondered what became of your mother. She ran away from her friends when she was a young lass—a proud-spirited lass, and pretty, by Jove! I knew the reason why she ran away,” said Raffles, winking84 slowly as he looked sideways at Will.
“You know nothing dishonorable of her, sir,” said Will, turning on him rather savagely85. But Mr. Raffles just now was not sensitive to shades of manner.
“Not a bit!” said he, tossing his head decisively. “She was a little too honorable to like her friends—that was it!” Here Raffles again winked86 slowly. “Lord bless you, I knew all about ’em—a little in what you may call the respectable thieving line—the high style of receiving-house—none of your holes and corners—first-rate. Slap-up shop, high profits and no mistake. But Lord! Sarah would have known nothing about it—a dashing young lady she was—fine boarding-school—fit for a lord’s wife—only Archie Duncan threw it at her out of spite, because she would have nothing to do with him. And so she ran away from the whole concern. I travelled for ’em, sir, in a gentlemanly way—at a high salary. They didn’t mind her running away at first—godly folks, sir, very godly—and she was for the stage. The son was alive then, and the daughter was at a discount. Hallo! here we are at the Blue Bull. What do you say, Mr. Ladislaw?—shall we turn in and have a glass?”
“No, I must say good evening,” said Will, dashing up a passage which led into Lowick Gate, and almost running to get out of Raffles’s reach.
He walked a long while on the Lowick road away from the town, glad of the starlit darkness when it came. He felt as if he had had dirt cast on him amidst shouts of scorn. There was this to confirm the fellow’s statement—that his mother never would tell him the reason why she had run away from her family.
Well! what was he, Will Ladislaw, the worse, supposing the truth about that family to be the ugliest? His mother had braved hardship in order to separate herself from it. But if Dorothea’s friends had known this story—if the Chettams had known it—they would have had a fine color to give their suspicions a welcome ground for thinking him unfit to come near her. However, let them suspect what they pleased, they would find themselves in the wrong. They would find out that the blood in his veins was as free from the taint87 of meanness as theirs.
1 commendable [kəˈmendəbl] 第12级 | |
adj.值得称赞的 | |
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2 distinguished [dɪˈstɪŋgwɪʃt] 第8级 | |
adj.卓越的,杰出的,著名的 | |
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3 auspices [ˈɔ:spɪsɪz] 第11级 | |
n.资助,赞助 | |
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4 longing [ˈlɒŋɪŋ] 第8级 | |
n.(for)渴望 | |
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5 mansion [ˈmænʃn] 第7级 | |
n.大厦,大楼;宅第 | |
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6 reassured [,ri:ə'ʃuəd] 第7级 | |
adj.使消除疑虑的;使放心的v.再保证,恢复信心( reassure的过去式和过去分词) | |
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7 pointed [ˈpɔɪntɪd] 第7级 | |
adj.尖的,直截了当的 | |
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8 carving [ˈkɑ:vɪŋ] 第8级 | |
n.雕刻品,雕花 | |
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9 undesirable [ˌʌndɪˈzaɪərəbl] 第8级 | |
adj.不受欢迎的,不良的,不合意的,讨厌的;n.不受欢迎的人,不良分子 | |
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10 retired [rɪˈtaɪəd] 第8级 | |
adj.隐退的,退休的,退役的 | |
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11 shrubs [ʃrʌbz] 第7级 | |
灌木( shrub的名词复数 ) | |
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12 auction [ˈɔ:kʃn] 第7级 | |
n.拍卖;拍卖会;vt.拍卖 | |
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13 varied [ˈveərid] 第8级 | |
adj.多样的,多变化的 | |
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14 draughts [dræfts] 第10级 | |
n. <英>国际跳棋 | |
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15 proprietors [prəp'raɪətəz] 第9级 | |
n.所有人,业主( proprietor的名词复数 ) | |
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16 remarkable [rɪˈmɑ:kəbl] 第7级 | |
adj.显著的,异常的,非凡的,值得注意的 | |
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17 scrupulously ['skru:pjələslɪ] 第8级 | |
adv.一丝不苟地;小心翼翼地,多顾虑地 | |
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18 interfere [ˌɪntəˈfɪə(r)] 第7级 | |
vi.(in)干涉,干预;(with)妨碍,打扰;vt.冲突;介入 | |
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19 gem [dʒem] 第9级 | |
n.宝石,珠宝;受爱戴的人 [同]jewel | |
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20 imminent [ˈɪmɪnənt] 第8级 | |
adj.即将发生的,临近的,逼近的 | |
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21 satire [ˈsætaɪə(r)] 第7级 | |
n.讽刺,讽刺文学,讽刺作品 | |
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22 habitual [həˈbɪtʃuəl] 第7级 | |
adj.习惯性的;通常的,惯常的 | |
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23 beguilingly [] 第10级 | |
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24 deferring [dɪ'fərɪŋ] 第7级 | |
v.拖延,延缓,推迟( defer的现在分词 );服从某人的意愿,遵从 | |
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25 defiant [dɪˈfaɪənt] 第10级 | |
adj.无礼的,挑战的 | |
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26 accusation [ˌækjuˈzeɪʃn] 第8级 | |
n.控告,指责,谴责 | |
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27 frustrated [frʌˈstreɪtɪd] 第7级 | |
adj.挫败的,失意的,泄气的v.使不成功( frustrate的过去式和过去分词 );挫败;使受挫折;令人沮丧 | |
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28 hint [hɪnt] 第7级 | |
n.暗示,示意;[pl]建议;线索,迹象;vi.暗示;vt.暗示;示意 | |
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29 transparent [trænsˈpærənt] 第7级 | |
adj.明显的,无疑的;透明的 | |
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30 dart [dɑ:t] 第8级 | |
vt. 投掷,投射;使迅速突然移动 vi. 向前冲,飞奔 n. 飞镖,标枪;急驰,飞奔;(虫的)螯;飞快的移动 | |
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31 brutal [ˈbru:tl] 第7级 | |
adj.残忍的,野蛮的,不讲理的 | |
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32 sneered [sniəd] 第7级 | |
讥笑,冷笑( sneer的过去式和过去分词 ) | |
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33 conspicuous [kənˈspɪkjuəs] 第7级 | |
adj.明眼的,惹人注目的;炫耀的,摆阔气的 | |
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34 faculties [ˈfækəltiz] 第7级 | |
n.能力( faculty的名词复数 );全体教职员;技巧;院 | |
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35 vocation [vəʊˈkeɪʃn] 第7级 | |
n.职业,行业 | |
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36 provincial [prəˈvɪnʃl] 第8级 | |
adj.省的,地方的;n.外省人,乡下人 | |
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37 saturnine [ˈsætənaɪn] 第10级 | |
adj.忧郁的,沉默寡言的,阴沉的,感染铅毒的 | |
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38 kindly [ˈkaɪndli] 第8级 | |
adj.和蔼的,温和的,爽快的;adv.温和地,亲切地 | |
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39 veins ['veɪnz] 第7级 | |
n.纹理;矿脉( vein的名词复数 );静脉;叶脉;纹理 | |
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40 equitable [ˈekwɪtəbl] 第9级 | |
adj.公平的;公正的 | |
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41 quaintness [kweɪntnəs] 第8级 | |
n.离奇有趣,古怪的事物 | |
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42 uncommonly [ʌnˈkɒmənli] 第8级 | |
adv. 稀罕(极,非常) | |
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43 uncommon [ʌnˈkɒmən] 第8级 | |
adj.罕见的,非凡的,不平常的 | |
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44 despatch [dɪ'spætʃ] 第7级 | |
vt.(dispatch)派遣;发送;vi. 匆匆离开;n.急件;新闻报道 | |
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45 rebus [ˈri:bəs] 第12级 | |
n.谜,画谜 | |
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46 ornament [ˈɔ:nəmənt] 第7级 | |
vt.装饰,美化;n.装饰,装饰物 | |
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47 strings [strɪŋz] 第12级 | |
n.弦 | |
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48 riddles ['rɪdlz] 第7级 | |
n.谜(语)( riddle的名词复数 );猜不透的难题,难解之谜 | |
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49 riddle [ˈrɪdl] 第7级 | |
n.谜;谜语;vt. 解谜;出谜题;充满;筛选;vi.出谜题 | |
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50 virtue [ˈvɜ:tʃu:] 第7级 | |
n.德行,美德;贞操;优点;功效,效力 | |
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51 profane [prəˈfeɪn] 第10级 | |
adj.亵神的,亵渎的;vt.亵渎,玷污 | |
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52 rivalry [ˈraɪvlri] 第7级 | |
n.竞争,竞赛,对抗 | |
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53 bidder [ˈbɪdə(r)] 第11级 | |
n.(拍卖时的)出价人,报价人,投标人 | |
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54 exasperating [ɪgˈzæspəreɪtɪŋ] 第8级 | |
adj. 激怒的 动词exasperate的现在分词形式 | |
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55 benevolence [bə'nevələns] 第10级 | |
n.慈悲,捐助 | |
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56 engraving [ɪn'ɡreɪvɪŋ] 第8级 | |
n.版画;雕刻(作品);雕刻艺术;镌版术v.在(硬物)上雕刻(字,画等)( engrave的现在分词 );将某事物深深印在(记忆或头脑中) | |
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57 enveloped [ləpd] 第9级 | |
v.包围,笼罩,包住( envelop的过去式和过去分词 ) | |
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58 breach [bri:tʃ] 第7级 | |
n.违反,不履行;破裂;vt.冲破,攻破 | |
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59 awe [ɔ:] 第7级 | |
n.敬畏,惊惧;vt.使敬畏,使惊惧 | |
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60 refreshments [rɪf'reʃmənts] 第7级 | |
n.点心,便餐;(会议后的)简单茶点招 待 | |
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61 bent [bent] 第7级 | |
n.爱好,癖好;adj.弯的;决心的,一心的;v.(使)弯曲,屈身(bend的过去式和过去分词) | |
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62 imposing [ɪmˈpəʊzɪŋ] 第8级 | |
adj.使人难忘的,壮丽的,堂皇的,雄伟的 | |
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63 apparently [əˈpærəntli] 第7级 | |
adv.显然地;表面上,似乎 | |
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64 proceedings [prə'si:diŋz] 第7级 | |
n.进程,过程,议程;诉讼(程序);公报 | |
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65 drawn [drɔ:n] 第11级 | |
v.(draw的过去式)拖,拉,拔出;adj.憔悴的,紧张的 | |
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66 fervor [ˌfɜ:və] 第10级 | |
n.热诚;热心;炽热 | |
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67 judgment ['dʒʌdʒmənt] 第7级 | |
n.审判;判断力,识别力,看法,意见 | |
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68 celebrated [ˈselɪbreɪtɪd] 第8级 | |
adj.有名的,声誉卓著的 | |
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69 bulk [bʌlk] 第7级 | |
n.容积,体积;大块,大批;大部分,大多数;vt. 使扩大,使形成大量;使显得重要 | |
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70 munificence [mju:'nɪfɪsns] 第10级 | |
n.宽宏大量,慷慨给与 | |
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71 remonstrance [rɪˈmɒnstrəns] 第12级 | |
n抗议,抱怨 | |
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72 nominal [ˈnɒmɪnl] 第7级 | |
adj.名义上的;(金额、租金)微不足道的 | |
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73 Christians [ˈkristʃənz] 第7级 | |
n.基督教徒( Christian的名词复数 ) | |
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74 parasitic [ˌpærəˈsɪtɪk] 第11级 | |
adj.寄生的 | |
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75 behold [bɪˈhəʊld] 第10级 | |
vt. 看;注视;把...视为 vi. 看 | |
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76 raffles [ˈræflz] 第10级 | |
n.抽彩售物( raffle的名词复数 )v.以抽彩方式售(物)( raffle的第三人称单数 ) | |
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77 unwilling [ʌnˈwɪlɪŋ] 第7级 | |
adj.不情愿的 | |
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78 complexion [kəmˈplekʃn] 第8级 | |
n.肤色;情况,局面;气质,性格 | |
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79 abeyance [əˈbeɪəns] 第10级 | |
n.搁置,缓办,中止,产权未定 | |
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80 avenging [ə'vendʒɪŋ] 第8级 | |
adj.报仇的,复仇的v.为…复仇,报…之仇( avenge的现在分词 );为…报复 | |
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81 jovially ['dʒəʊvɪəlɪ] 第11级 | |
adv.愉快地,高兴地 | |
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82 likeness [ˈlaɪknəs] 第8级 | |
n.相像,相似(之处) | |
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83 curtly [kɜ:tlɪ] 第9级 | |
adv.简短地 | |
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84 winking ['wɪŋkɪŋ] 第7级 | |
n.瞬眼,目语v.使眼色( wink的现在分词 );递眼色(表示友好或高兴等);(指光)闪烁;闪亮 | |
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85 savagely ['sævɪdʒlɪ] 第7级 | |
adv. 野蛮地,残酷地 | |
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