CHAPTER 20
Mr. and Mrs. Allen were sorry to lose their young friend, whose good humour and cheerfulness had made her a valuable companion, and in the promotion1 of whose enjoyment their own had been gently increased. Her happiness in going with Miss Tilney, however, prevented their wishing it otherwise; and, as they were to remain only one more week in Bath themselves, her quitting them now would not long be felt. Mr. Allen attended her to Milsom Street, where she was to breakfast, and saw her seated with the kindest welcome among her new friends; but so great was her agitation3 in finding herself as one of the family, and so fearful was she of not doing exactly what was right, and of not being able to preserve their good opinion, that, in the embarrassment4 of the first five minutes, she could almost have wished to return with him to Pulteney Street.
Miss Tilney’s manners and Henry’s smile soon did away some of her unpleasant feelings; but still she was far from being at ease; nor could the incessant5 attentions of the general himself entirely6 reassure7 her. Nay8, perverse9 as it seemed, she doubted whether she might not have felt less, had she been less attended to. His anxiety for her comfort—his continual solicitations that she would eat, and his often-expressed fears of her seeing nothing to her taste—though never in her life before had she beheld10 half such variety on a breakfast-table—made it impossible for her to forget for a moment that she was a visitor. She felt utterly11 unworthy of such respect, and knew not how to reply to it. Her tranquillity12 was not improved by the General’s impatience13 for the appearance of his eldest14 son, nor by the displeasure he expressed at his laziness when Captain Tilney at last came down. She was quite pained by the severity of his father’s reproof15, which seemed disproportionate to the offence; and much was her concern increased when she found herself the principal cause of the lecture, and that his tardiness16 was chiefly resented from being disrespectful to her. This was placing her in a very uncomfortable situation, and she felt great compassion17 for Captain Tilney, without being able to hope for his goodwill18.
He listened to his father in silence, and attempted not any defence, which confirmed her in fearing that the inquietude of his mind, on Isabella’s account, might, by keeping him long sleepless19, have been the real cause of his rising late. It was the first time of her being decidedly in his company, and she had hoped to be now able to form her opinion of him; but she scarcely heard his voice while his father remained in the room; and even afterwards, so much were his spirits affected20, she could distinguish nothing but these words, in a whisper to Eleanor, “How glad I shall be when you are all off.”
The bustle21 of going was not pleasant. The clock struck ten while the trunks were carrying down, and the general had fixed22 to be out of Milsom Street by that hour. His greatcoat, instead of being brought for him to put on directly, was spread out in the curricle in which he was to accompany his son. The middle seat of the chaise was not drawn23 out, though there were three people to go in it, and his daughter’s maid had so crowded it with parcels that Miss Morland would not have room to sit; and, so much was he influenced by this apprehension24 when he handed her in, that she had some difficulty in saving her own new writing-desk from being thrown out into the street. At last, however, the door was closed upon the three females, and they set off at the sober pace in which the handsome, highly fed four horses of a gentleman usually perform a journey of thirty miles: such was the distance of Northanger from Bath, to be now divided into two equal stages. Catherine’s spirits revived as they drove from the door; for with Miss Tilney she felt no restraint; and, with the interest of a road entirely new to her, of an abbey before, and a curricle behind, she caught the last view of Bath without any regret, and met with every milestone25 before she expected it. The tediousness of a two hours’ wait at Petty France, in which there was nothing to be done but to eat without being hungry, and loiter about without anything to see, next followed—and her admiration26 of the style in which they travelled, of the fashionable chaise and four—postilions handsomely liveried, rising so regularly in their stirrups, and numerous outriders properly mounted, sunk a little under this consequent inconvenience. Had their party been perfectly27 agreeable, the delay would have been nothing; but General Tilney, though so charming a man, seemed always a check upon his children’s spirits, and scarcely anything was said but by himself; the observation of which, with his discontent at whatever the inn afforded, and his angry impatience at the waiters, made Catherine grow every moment more in awe28 of him, and appeared to lengthen29 the two hours into four. At last, however, the order of release was given; and much was Catherine then surprised by the General’s proposal of her taking his place in his son’s curricle for the rest of the journey: “the day was fine, and he was anxious for her seeing as much of the country as possible.”
The remembrance of Mr. Allen’s opinion, respecting young men’s open carriages, made her blush at the mention of such a plan, and her first thought was to decline it; but her second was of greater deference30 for General Tilney’s judgment31; he could not propose anything improper32 for her; and, in the course of a few minutes, she found herself with Henry in the curricle, as happy a being as ever existed. A very short trial convinced her that a curricle was the prettiest equipage in the world; the chaise and four wheeled off with some grandeur33, to be sure, but it was a heavy and troublesome business, and she could not easily forget its having stopped two hours at Petty France. Half the time would have been enough for the curricle, and so nimbly were the light horses disposed to move, that, had not the general chosen to have his own carriage lead the way, they could have passed it with ease in half a minute. But the merit of the curricle did not all belong to the horses; Henry drove so well—so quietly—without making any disturbance34, without parading to her, or swearing at them: so different from the only gentleman-coachman whom it was in her power to compare him with! And then his hat sat so well, and the innumerable capes35 of his greatcoat looked so becomingly important! To be driven by him, next to being dancing with him, was certainly the greatest happiness in the world. In addition to every other delight, she had now that of listening to her own praise; of being thanked at least, on his sister’s account, for her kindness in thus becoming her visitor; of hearing it ranked as real friendship, and described as creating real gratitude36. His sister, he said, was uncomfortably circumstanced—she had no female companion—and, in the frequent absence of her father, was sometimes without any companion at all.
“But how can that be?” said Catherine. “Are not you with her?”
“Northanger is not more than half my home; I have an establishment at my own house in Woodston, which is nearly twenty miles from my father’s, and some of my time is necessarily spent there.”
“How sorry you must be for that!”
“I am always sorry to leave Eleanor.”
“Yes; but besides your affection for her, you must be so fond of the abbey! After being used to such a home as the abbey, an ordinary parsonage-house must be very disagreeable.”
He smiled, and said, “You have formed a very favourable37 idea of the abbey.”
“To be sure, I have. Is not it a fine old place, just like what one reads about?”
“And are you prepared to encounter all the horrors that a building such as ‘what one reads about’ may produce? Have you a stout38 heart? Nerves fit for sliding panels and tapestry40?”
“Oh! yes—I do not think I should be easily frightened, because there would be so many people in the house—and besides, it has never been uninhabited and left deserted41 for years, and then the family come back to it unawares, without giving any notice, as generally happens.”
“No, certainly. We shall not have to explore our way into a hall dimly lighted by the expiring embers of a wood fire—nor be obliged to spread our beds on the floor of a room without windows, doors, or furniture. But you must be aware that when a young lady is (by whatever means) introduced into a dwelling42 of this kind, she is always lodged44 apart from the rest of the family. While they snugly45 repair to their own end of the house, she is formally conducted by Dorothy, the ancient housekeeper46, up a different staircase, and along many gloomy passages, into an apartment never used since some cousin or kin2 died in it about twenty years before. Can you stand such a ceremony as this? Will not your mind misgive47 you when you find yourself in this gloomy chamber48—too lofty and extensive for you, with only the feeble rays of a single lamp to take in its size—its walls hung with tapestry exhibiting figures as large as life, and the bed, of dark green stuff or purple velvet49, presenting even a funereal50 appearance? Will not your heart sink within you?”
“Oh! But this will not happen to me, I am sure.”
“How fearfully will you examine the furniture of your apartment! And what will you discern? Not tables, toilettes, wardrobes, or drawers, but on one side perhaps the remains51 of a broken lute52, on the other a ponderous53 chest which no efforts can open, and over the fireplace the portrait of some handsome warrior54, whose features will so incomprehensibly strike you, that you will not be able to withdraw your eyes from it. Dorothy, meanwhile, no less struck by your appearance, gazes on you in great agitation, and drops a few unintelligible55 hints. To raise your spirits, moreover, she gives you reason to suppose that the part of the abbey you inhabit is undoubtedly56 haunted, and informs you that you will not have a single domestic within call. With this parting cordial she curtsies off—you listen to the sound of her receding57 footsteps as long as the last echo can reach you—and when, with fainting spirits, you attempt to fasten your door, you discover, with increased alarm, that it has no lock.”
“Oh! Mr. Tilney, how frightful58! This is just like a book! But it cannot really happen to me. I am sure your housekeeper is not really Dorothy. Well, what then?”
“Nothing further to alarm perhaps may occur the first night. After surmounting59 your unconquerable horror of the bed, you will retire to rest, and get a few hours’ unquiet slumber60. But on the second, or at farthest the third night after your arrival, you will probably have a violent storm. Peals61 of thunder so loud as to seem to shake the edifice62 to its foundation will roll round the neighbouring mountains—and during the frightful gusts63 of wind which accompany it, you will probably think you discern (for your lamp is not extinguished) one part of the hanging more violently agitated64 than the rest. Unable of course to repress your curiosity in so favourable a moment for indulging it, you will instantly arise, and throwing your dressing-gown around you, proceed to examine this mystery. After a very short search, you will discover a division in the tapestry so artfully constructed as to defy the minutest inspection65, and on opening it, a door will immediately appear—which door, being only secured by massy bars and a padlock, you will, after a few efforts, succeed in opening—and, with your lamp in your hand, will pass through it into a small vaulted66 room.”
“No, indeed; I should be too much frightened to do any such thing.”
“What! Not when Dorothy has given you to understand that there is a secret subterraneous communication between your apartment and the chapel67 of St. Anthony, scarcely two miles off. Could you shrink from so simple an adventure? No, no, you will proceed into this small vaulted room, and through this into several others, without perceiving anything very remarkable68 in either. In one perhaps there may be a dagger69, in another a few drops of blood, and in a third the remains of some instrument of torture; but there being nothing in all this out of the common way, and your lamp being nearly exhausted70, you will return towards your own apartment. In repassing through the small vaulted room, however, your eyes will be attracted towards a large, old-fashioned cabinet of ebony and gold, which, though narrowly examining the furniture before, you had passed unnoticed. Impelled71 by an irresistible72 presentiment73, you will eagerly advance to it, unlock its folding doors, and search into every drawer—but for some time without discovering anything of importance—perhaps nothing but a considerable hoard74 of diamonds. At last, however, by touching a secret spring, an inner compartment75 will open—a roll of paper appears—you seize it—it contains many sheets of manuscript—you hasten with the precious treasure into your own chamber, but scarcely have you been able to decipher ‘Oh thou, whomsoever thou mayst be, into whose hands these memoirs76 of the wretched Matilda may fall’—when your lamp suddenly expires in the socket77, and leaves you in total darkness.”
“Oh, no, no; do not say so. Well, go on.”
But Henry was too much amused by the interest he had raised to be able to carry it farther; he could no longer command solemnity either of subject or voice, and was obliged to entreat78 her to use her own fancy in the perusal79 of Matilda’s woes80. Catherine, recollecting81 herself, grew ashamed of her eagerness, and began earnestly to assure him that her attention had been fixed without the smallest apprehension of really meeting with what he related. “Miss Tilney, she was sure, would never put her into such a chamber as he had described! She was not at all afraid.”
As they drew near the end of their journey, her impatience for a sight of the abbey—for some time suspended by his conversation on subjects very different—returned in full force, and every bend in the road was expected with solemn awe to afford a glimpse of its massy walls of grey stone, rising amidst a grove82 of ancient oaks, with the last beams of the sun playing in beautiful splendour on its high Gothic windows. But so low did the building stand, that she found herself passing through the great gates of the lodge43 into the very grounds of Northanger, without having discerned even an antique chimney.
She knew not that she had any right to be surprised, but there was a something in this mode of approach which she certainly had not expected. To pass between lodges83 of a modern appearance, to find herself with such ease in the very precincts of the abbey, and driven so rapidly along a smooth, level road of fine gravel84, without obstacle, alarm, or solemnity of any kind, struck her as odd and inconsistent. She was not long at leisure, however, for such considerations. A sudden scud85 of rain, driving full in her face, made it impossible for her to observe anything further, and fixed all her thoughts on the welfare of her new straw bonnet86; and she was actually under the abbey walls, was springing, with Henry’s assistance, from the carriage, was beneath the shelter of the old porch, and had even passed on to the hall, where her friend and the general were waiting to welcome her, without feeling one awful foreboding of future misery87 to herself, or one moment’s suspicion of any past scenes of horror being acted within the solemn edifice. The breeze had not seemed to waft88 the sighs of the murdered to her; it had wafted89 nothing worse than a thick mizzling rain; and having given a good shake to her habit, she was ready to be shown into the common drawing-room, and capable of considering where she was.
An abbey! Yes, it was delightful90 to be really in an abbey! But she doubted, as she looked round the room, whether anything within her observation would have given her the consciousness. The furniture was in all the profusion91 and elegance92 of modern taste. The fireplace, where she had expected the ample width and ponderous carving93 of former times, was contracted to a Rumford, with slabs94 of plain though handsome marble, and ornaments95 over it of the prettiest English china. The windows, to which she looked with peculiar96 dependence97, from having heard the general talk of his preserving them in their Gothic form with reverential care, were yet less what her fancy had portrayed98. To be sure, the pointed99 arch was preserved—the form of them was Gothic—they might be even casements—but every pane39 was so large, so clear, so light! To an imagination which had hoped for the smallest divisions, and the heaviest stone-work, for painted glass, dirt, and cobwebs, the difference was very distressing100.
The general, perceiving how her eye was employed, began to talk of the smallness of the room and simplicity101 of the furniture, where everything, being for daily use, pretended only to comfort, etc.; flattering himself, however, that there were some apartments in the Abbey not unworthy her notice—and was proceeding102 to mention the costly103 gilding104 of one in particular, when, taking out his watch, he stopped short to pronounce it with surprise within twenty minutes of five! This seemed the word of separation, and Catherine found herself hurried away by Miss Tilney in such a manner as convinced her that the strictest punctuality to the family hours would be expected at Northanger.
Returning through the large and lofty hall, they ascended105 a broad staircase of shining oak, which, after many flights and many landing-places, brought them upon a long, wide gallery. On one side it had a range of doors, and it was lighted on the other by windows which Catherine had only time to discover looked into a quadrangle, before Miss Tilney led the way into a chamber, and scarcely staying to hope she would find it comfortable, left her with an anxious entreaty106 that she would make as little alteration107 as possible in her dress.
1 promotion [prəˈməʊʃn] 第7级 | |
n.提升,晋级;促销,宣传 | |
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2 kin [kɪn] 第7级 | |
n.家族,亲属,血缘关系;adj.亲属关系的,同类的 | |
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3 agitation [ˌædʒɪˈteɪʃn] 第9级 | |
n.搅动;搅拌;鼓动,煽动 | |
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4 embarrassment [ɪmˈbærəsmənt] 第9级 | |
n.尴尬;使人为难的人(事物);障碍;窘迫 | |
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5 incessant [ɪnˈsesnt] 第8级 | |
adj.不停的,连续的 | |
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6 entirely [ɪnˈtaɪəli] 第9级 | |
ad.全部地,完整地;完全地,彻底地 | |
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7 reassure [ˌri:əˈʃʊə(r)] 第7级 | |
vt.使放心,使消除疑虑 | |
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8 nay [neɪ] 第12级 | |
adv.不;n.反对票,投反对票者 | |
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9 perverse [pəˈvɜ:s] 第9级 | |
adj.刚愎的;坚持错误的,行为反常的 | |
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10 beheld [bɪ'held] 第10级 | |
v.看,注视( behold的过去式和过去分词 );瞧;看呀;(叙述中用于引出某人意外的出现)哎哟 | |
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11 utterly ['ʌtəli:] 第9级 | |
adv.完全地,绝对地 | |
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12 tranquillity [træŋ'kwɪlətɪ] 第7级 | |
n. 平静, 安静 | |
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13 impatience [ɪm'peɪʃns] 第8级 | |
n.不耐烦,急躁 | |
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14 eldest [ˈeldɪst] 第8级 | |
adj.最年长的,最年老的 | |
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15 reproof [rɪˈpru:f] 第12级 | |
n.斥责,责备 | |
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16 tardiness ['tɑ:dɪnəs] 第9级 | |
n.缓慢;迟延;拖拉 | |
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17 compassion [kəmˈpæʃn] 第8级 | |
n.同情,怜悯 | |
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18 goodwill [ˌgʊdˈwɪl] 第8级 | |
n.善意,亲善,信誉,声誉 | |
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19 sleepless [ˈsli:pləs] 第7级 | |
adj.不睡眠的,睡不著的,不休息的 | |
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20 affected [əˈfektɪd] 第9级 | |
adj.不自然的,假装的 | |
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21 bustle [ˈbʌsl] 第9级 | |
vi.喧扰地忙乱,匆忙,奔忙;vt. 使忙碌;催促;n.忙碌;喧闹 | |
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22 fixed [fɪkst] 第8级 | |
adj.固定的,不变的,准备好的;(计算机)固定的 | |
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23 drawn [drɔ:n] 第11级 | |
v.(draw的过去式)拖,拉,拔出;adj.憔悴的,紧张的 | |
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24 apprehension [ˌæprɪˈhenʃn] 第7级 | |
n.理解,领悟;逮捕,拘捕;忧虑 | |
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25 milestone [ˈmaɪlstəʊn] 第9级 | |
n.里程碑;划时代的事件 | |
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26 admiration [ˌædməˈreɪʃn] 第8级 | |
n.钦佩,赞美,羡慕 | |
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27 perfectly [ˈpɜ:fɪktli] 第8级 | |
adv.完美地,无可非议地,彻底地 | |
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28 awe [ɔ:] 第7级 | |
n.敬畏,惊惧;vt.使敬畏,使惊惧 | |
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29 lengthen [ˈleŋθən] 第7级 | |
vt.使伸长,延长 | |
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30 deference [ˈdefərəns] 第9级 | |
n.尊重,顺从;敬意 | |
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31 judgment ['dʒʌdʒmənt] 第7级 | |
n.审判;判断力,识别力,看法,意见 | |
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32 improper [ɪmˈprɒpə(r)] 第8级 | |
adj.不适当的,不合适的,不正确的,不合礼仪的 | |
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33 grandeur [ˈgrændʒə(r)] 第8级 | |
n.伟大,崇高,宏伟,庄严,豪华 | |
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34 disturbance [dɪˈstɜ:bəns] 第7级 | |
n.动乱,骚动;打扰,干扰;(身心)失调 | |
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35 capes [keɪps] 第7级 | |
碎谷; 斗篷( cape的名词复数 ); 披肩; 海角; 岬 | |
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36 gratitude [ˈgrætɪtju:d] 第7级 | |
adj.感激,感谢 | |
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37 favourable [ˈfeɪvərəbl] 第8级 | |
adj.赞成的,称赞的,有利的,良好的,顺利的 | |
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38 stout [staʊt] 第8级 | |
adj.强壮的,结实的,勇猛的,矮胖的 | |
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39 pane [peɪn] 第8级 | |
n.窗格玻璃,长方块 | |
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40 tapestry [ˈtæpəstri] 第10级 | |
n.挂毯,丰富多采的画面 | |
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41 deserted [dɪˈzɜ:tɪd] 第8级 | |
adj.荒芜的,荒废的,无人的,被遗弃的 | |
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42 dwelling [ˈdwelɪŋ] 第7级 | |
n.住宅,住所,寓所 | |
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43 lodge [lɒdʒ] 第7级 | |
vt.临时住宿,寄宿,寄存,容纳;vi. 寄宿;临时住宿n.传达室,小旅馆 | |
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44 lodged [lɔdʒd] 第7级 | |
v.存放( lodge的过去式和过去分词 );暂住;埋入;(权利、权威等)归属 | |
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45 snugly [snʌɡlɪ] 第10级 | |
adv.紧贴地;贴身地;暖和舒适地;安适地 | |
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46 housekeeper [ˈhaʊski:pə(r)] 第8级 | |
n.管理家务的主妇,女管家 | |
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47 misgive [mɪs'gɪv] 第12级 | |
vt. 使怀疑;使担心 vi. 疑虑;怀疑,恐惧 | |
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48 chamber [ˈtʃeɪmbə(r)] 第7级 | |
n.房间,寝室;会议厅;议院;会所 | |
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49 velvet [ˈvelvɪt] 第7级 | |
n.丝绒,天鹅绒;adj.丝绒制的,柔软的 | |
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50 funereal [fjuˈnɪəriəl] 第12级 | |
adj.悲哀的;送葬的 | |
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51 remains [rɪˈmeɪnz] 第7级 | |
n.剩余物,残留物;遗体,遗迹 | |
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52 lute [lu:t] 第11级 | |
n.琵琶,鲁特琴 | |
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53 ponderous [ˈpɒndərəs] 第11级 | |
adj.沉重的,笨重的,(文章)冗长的 | |
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54 warrior [ˈwɒriə(r)] 第7级 | |
n.勇士,武士,斗士 | |
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55 unintelligible [ˌʌnɪnˈtelɪdʒəbl] 第9级 | |
adj.无法了解的,难解的,莫明其妙的 | |
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56 undoubtedly [ʌn'daʊtɪdlɪ] 第7级 | |
adv.确实地,无疑地 | |
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57 receding [riˈsi:dɪŋ] 第7级 | |
v.逐渐远离( recede的现在分词 );向后倾斜;自原处后退或避开别人的注视;尤指问题 | |
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58 frightful [ˈfraɪtfl] 第9级 | |
adj.可怕的;讨厌的 | |
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59 surmounting [səˈmaʊntɪŋ] 第10级 | |
战胜( surmount的现在分词 ); 克服(困难); 居于…之上; 在…顶上 | |
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60 slumber [ˈslʌmbə(r)] 第9级 | |
n.睡眠,沉睡状态 | |
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61 peals [pi:lz] 第12级 | |
n.(声音大而持续或重复的)洪亮的响声( peal的名词复数 );隆隆声;洪亮的钟声;钟乐v.(使)(钟等)鸣响,(雷等)发出隆隆声( peal的第三人称单数 ) | |
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62 edifice [ˈedɪfɪs] 第9级 | |
n.宏伟的建筑物(如宫殿,教室) | |
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63 gusts [ɡʌsts] 第8级 | |
一阵强风( gust的名词复数 ); (怒、笑等的)爆发; (感情的)迸发; 发作 | |
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64 agitated [ˈædʒɪteɪtɪd] 第11级 | |
adj.被鼓动的,不安的 | |
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65 inspection [ɪnˈspekʃn] 第8级 | |
n.检查,审查,检阅 | |
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66 vaulted ['vɔ:ltid] 第8级 | |
adj.拱状的 | |
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67 chapel [ˈtʃæpl] 第9级 | |
n.小教堂,殡仪馆 | |
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68 remarkable [rɪˈmɑ:kəbl] 第7级 | |
adj.显著的,异常的,非凡的,值得注意的 | |
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69 dagger [ˈdægə(r)] 第8级 | |
n.匕首,短剑,剑号 | |
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70 exhausted [ɪgˈzɔ:stɪd] 第8级 | |
adj.极其疲惫的,精疲力尽的 | |
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71 impelled [ɪm'peld] 第9级 | |
v.推动、推进或敦促某人做某事( impel的过去式和过去分词 ) | |
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72 irresistible [ˌɪrɪˈzɪstəbl] 第7级 | |
adj.非常诱人的,无法拒绝的,无法抗拒的 | |
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73 presentiment [prɪˈzentɪmənt] 第12级 | |
n.预感,预觉 | |
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74 hoard [hɔ:d] 第9级 | |
n./v.窖藏,贮存,囤积 | |
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75 compartment [kəmˈpɑ:tmənt] 第7级 | |
n.卧车包房,隔间;分隔的空间 | |
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76 memoirs ['memwɑ:z] 第10级 | |
n.回忆录;回忆录传( mem,自oir的名词复数) | |
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77 socket [ˈsɒkɪt] 第8级 | |
n.窝,穴,孔,插座,插口 | |
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78 entreat [ɪnˈtri:t] 第9级 | |
vt.&vi.恳求,恳请 | |
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79 perusal [pə'ru:zl] 第12级 | |
n.细读,熟读;目测 | |
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80 woes [wəʊz] 第7级 | |
困境( woe的名词复数 ); 悲伤; 我好苦哇; 某人就要倒霉 | |
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81 recollecting [ˌrekəˈlektɪŋ] 第7级 | |
v.记起,想起( recollect的现在分词 ) | |
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82 grove [grəʊv] 第7级 | |
n.林子,小树林,园林 | |
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83 lodges [lɔdʒz] 第7级 | |
v.存放( lodge的第三人称单数 );暂住;埋入;(权利、权威等)归属 | |
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84 gravel [ˈgrævl] 第7级 | |
n.砂跞;砂砾层;结石 | |
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85 scud [skʌd] 第11级 | |
n.疾行;v.疾行 | |
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86 bonnet [ˈbɒnɪt] 第10级 | |
n.无边女帽;童帽 | |
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87 misery [ˈmɪzəri] 第7级 | |
n.痛苦,苦恼,苦难;悲惨的境遇,贫苦 | |
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88 waft [wɒft] 第11级 | |
vi.飘浮,飘荡;vt. 使飘荡;吹送;n.一股;一阵微风;飘荡 | |
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89 wafted [wɑ:ftid] 第11级 | |
v.吹送,飘送,(使)浮动( waft的过去式和过去分词 ) | |
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90 delightful [dɪˈlaɪtfl] 第8级 | |
adj.令人高兴的,使人快乐的 | |
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91 profusion [prəˈfju:ʒn] 第11级 | |
n.挥霍;丰富 | |
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92 elegance ['elɪɡəns] 第10级 | |
n.优雅;优美,雅致;精致,巧妙 | |
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93 carving [ˈkɑ:vɪŋ] 第8级 | |
n.雕刻品,雕花 | |
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94 slabs [slæbz] 第9级 | |
n.厚板,平板,厚片( slab的名词复数 );厚胶片 | |
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95 ornaments ['ɔ:nəmənts] 第7级 | |
n.装饰( ornament的名词复数 );点缀;装饰品;首饰v.装饰,点缀,美化( ornament的第三人称单数 ) | |
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96 peculiar [pɪˈkju:liə(r)] 第7级 | |
adj.古怪的,异常的;特殊的,特有的 | |
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97 dependence [dɪˈpendəns] 第8级 | |
n.依靠,依赖;信任,信赖;隶属 | |
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98 portrayed [pɔ:ˈtreid] 第7级 | |
v.画像( portray的过去式和过去分词 );描述;描绘;描画 | |
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99 pointed [ˈpɔɪntɪd] 第7级 | |
adj.尖的,直截了当的 | |
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100 distressing [dis'tresiŋ] 第7级 | |
a.使人痛苦的 | |
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101 simplicity [sɪmˈplɪsəti] 第7级 | |
n.简单,简易;朴素;直率,单纯 | |
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102 proceeding [prəˈsi:dɪŋ] 第7级 | |
n.行动,进行,(pl.)会议录,学报 | |
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103 costly [ˈkɒstli] 第7级 | |
adj.昂贵的,价值高的,豪华的 | |
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104 gilding ['gildiŋ] 第10级 | |
n.贴金箔,镀金 | |
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105 ascended [əˈsendid] 第7级 | |
v.上升,攀登( ascend的过去式和过去分词 ) | |
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106 entreaty [ɪnˈtri:ti] 第11级 | |
n.恳求,哀求 | |
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107 alteration [ˌɔ:ltəˈreɪʃn] 第9级 | |
n.变更,改变;蚀变 | |
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